2008

Good Words. And Great Names. Green Lipstick and the Environmental Pig. How it Feels to Live in a 650-year-old Wooden Home. The Key to a More Productive Workflow. Marketing that Makes a Sustainable Difference. New Year’s Resolutions for Your Marketing and Branding Efforts. Sweet Successes.

2007

2007. The Perfect Time for a Road Trip Alcoa CSI “Uncorks” a New DVD to Introduce its Unique Wine Seal. Cook for the Cure 2006: Record-Setting Sauces Cook for the Cure—Spoil Your Dinner! Green What? Integrate, Segregate, Reformulate? Measuring the Effectiveness of PR: Thinking Beyond the “Thud Factor” Miller Brooks Builds with Habitat for Humanity. Online Media Measurement See What’s New at Miller Brooks! The Shock of the New. What is a Brand Touchpoint? What We’re Reading: Made To Stick Word of Mouth Marketing

2006

Brand Washing. Branding in the Blogosphere. Cook for the Cure: A Souper Time Cook for the Cure Invite How Does Your Brand Speak to Multiple B2B Audiences? June Blitz: Largest in Habitat History Making the Most of Your Online Advertising New Look, Easy New Access. New Year's Resolutions for Your Marketing and Branding Efforts. Peter Drucker: Thoughts on Business from "the Man Who Invented Management." Trade Shows. Afterthought or Forethought? Why Marketing Matters

2005

Are Employees Speaking Your Brand Language? Conducting a Brand Audit: An Energizing Experience. How to Justify Your B2B Budget. How to Watch TV for Your Brand. You Can Learn a Lot. Less is More: Refining Your Brand's Print Materials. Patience. Is it the Missing Ingredient in Marketing Innovative New Products? Personal Accountability in Branding. Taking a Cue from Reality TV: Is It Time to Pimp Your Brand? The Sound of Branding. Triangulation: Three Views into Your Brand. Value Proposition. Positioning Statement. Are They Really Different? What's an Elevator Pitch?

2004

Are You Over-Hyping your Brand? Brand Understanding: Developing a Great Positioning Statement. Brand Warfare: 10 Rules For Building The Killer Brand. Good News/Bad News: Your Brand Made Headlines. How to Recover from Bad Press. Marketing B2B, Products vs. Services: Is There a Difference? Media Management: The Value It Brings to a Brand. Measuring Marketing ROI: Holy Grail or Myth? Mosaic Branding: A Way of Thought? The Right Media To Drive Your Brand. The Value Of Market Research For B2B Brands. Trade Show PR: Remain True to the Brand. Writing a Marketing Plan: Taking the Hassle Out and Putting the Value In.

2003

Brainstorming: How To Get The Most From Your Ideation Sessions. Brand Crisis? What Crisis? Brand Messaging: Why You Need It, And How To Develop It. How Do Customers Touch Your Brand? Understanding What's Important Can Make All the Difference. How To Get Your Brand Into Show Business. Is Your Brand a Product, Organization, Person, or Symbol? Keeping Your Brand Look and Message Consistent. Project Management: Working Behind The Scenes To Synchronize Your Brand. Putting The Web To Work For Your Brand. The Art Of Innovation: What Every Brand Can Learn From Inspired Product Design. When Do You Need Another Brand? Who Cares About Paper?

2002

A Brand's Functional Benefits vs. Emotional Benefits. An Electronic Brochure? What Is It and When Is It Needed? Collaborative Branding: When Agencies and Other Suppliers Work Together, Brands are the Big Winners. Creating A Direct Response Campaign? Think Like a Fisherman. Expand Your Brand: How to Make Your Brand Speak to Media and Analysts. How Long Should It Take to Produce a Brochure, a Website, an Ad? The Purpose Of A Corporate Brochure. The Softer Side Of Branding: Understanding the Nuances of Brand Personalities. What Color Is Your Brand? What's The Personality Of Your Brand? Try This Simple Brand Association Exercise. What Is The Value Of Your Brand? When Does A Brand Need A Logo?

2001

All Aboard: How to Get a Greater Return from Your Direct Mail. Brands, Channels, and Customers. Building Your Brand in a Tough Economy? Give Your Brand A Spring Cleaning. Is Your Brand Ready for the Internet? Get a Clue from the Cluetrain. It's A Brand New Day. Branding with Strategic Public Awareness. Justify Your Marketing Budget. Lights, Camera, Action! Tips for Launching Your Brand on TV. Photography: To Stock or Not to Stock? Is This Really a Question? SIC vs. NAICS: Understanding the Difference. What Business Are You In? What's an Elevator Pitch? Wolverine: Building A Brand That Works.

2000

Bingo Cards: Are They Dead? Creating a Harmonious e-Brand. e-Branding: How To Embrace It. e-branding: Sometimes Simpler Is Better. How to Strengthen Your Lead Management Process. Maintaining Your Brand's Image. Making Taglines Work. Managing Visual Assets In A Digital World. Mapping Your Web Site. Messaging: The Foundation for Good Communication. Miller Brooks: Growing with the Changing Times. Naming: Will It Play Around the World? Project Management: Necessary Evil or Strategic Advantage? Top 10 Steps to Taking a Brand Overseas. Why Every Brand Needs a Brand Architecture.

Lights. Camera. Action! Tips for Launching Your Brand on TV. - Issue: 2001 Qtr 1

Lights. Camera. Action! Tips for Launching Your Brand on TV.

You have an approved Brand strategy document in hand. You have a budget number in mind. Now the time has come to put your Brand on television. How exciting! So now what? Exactly what do you need to do to launch a successful television campaign? Here are a few tips for what to expect.

1. Don't approach broadcast like print.
Don't think about television like a print campaign. For example, print media is purchased with regard to publications with the best CPMs (Cost Per Thousand) per target audience. Television media is selected based on ADIs (Areas of Dominant Influence), CPPs (Cost Per Points) and GRPs (Gross Rating Points). Also, print ads are designed to speak to you without sound, whereas television has sound as well as movement. The best television campaigns take advantage of these two critical elements to present viewers a story.

2. Read the television scripts "Video" side first.
Television commercials begin with the script -- usually presented in a traditional two-column format with video on the left and audio on the right. Successful television commercials come to life first visually, then are supported with solid copy. You should see the proposed commercial in your mind first from reading the "Video" column, then hear it through the words written in the "Audio" column of the script. If the audio doesn't seem to support the video, it most definitely won't after it's shot.

3. Be prepared to pay for good talent - sometimes even after the campaign is over.
Many people aren't prepared for the complexities involved with the hiring of actors or "talent" used in commercials. There are two kinds of actors or "talent": "Union" and "Non-union." Individuals categorized as "Union Talent" are paid based on how many times a commercial airs which is determined by your media schedule. In addition, if a commercial featuring union talent is used again in the future, you can end up paying "holding fees" for the time the commercial wasn't on the air, in addition to more "usage fees." These fees can add up to thousands of dollars, depending on how many actors you have in a commercial. Your only alternatives are to use "Non-union" talent or even your own employees or friends in your commercial, depending on the creative approach. However, if the actors are not able to do the job adequately, it can sometimes result in additional production costs (e.g. re-shoots, production schedule overages, etc.).

4. Don't expect to produce a television spot overnight.
With the advent of the computer, turnaround times on print projects have shortened dramatically in the past few years -- from a few weeks to just a few days. Unfortunately, the broadcast production process is generally still a lengthy process. You still have to figure days for:

In general, the average television campaign takes at least a month to produce -- from the date of the approved script.

5. Expect to make lots of little but important decisions along the way.
There's an old saying in the television business that if something goes wrong while shooting a commercial, we can "fix it in edit." Sometimes this is true, but more often it is not. There are many critical decisions made along the production process that cannot be corrected in edit. For example, if your commercial features a celebrity spokesperson that is later discovered to be inappropriate (e.g. "The O.J. Simpson Syndrome"), you'll probably have no choice but to pull the commercial from rotation and reshoot altogether. Likewise, if your company's legal department decides a certain word used throughout the commercial to describe your brand is legally incorrect, you may have to go all the way back to the drawing board. So it's important to be aware of the importance of every decision throughout the process and to make good judgment calls.

6. Work with a good production company.
With all the details involved with any television commercial, it's all the more important that you work with an experienced production company, one that's familiar with every aspect of broadcast production -- filming, talent, locations, makeup, wardrobe, directors, music production, logistics, special effects, etc. Chances are, your communications agency will have worked with several and can recommend companies that offer varying levels of expertise and expense. A good production company may cost a little more, but it can be well worth it in the long run -- making the process a smooth and pleasurable one for everyone involved.

Once you're aware of the major issues involved with launching a Brand television campaign, you can be more prepared to address them. If you'd like to talk more about how you can get your Brand off the ground and onto people's screens, give us a call at 317-873-8100. We'll help you determine if television is indeed the best way to launch your Brand.

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